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Regarding Acoustical
Control in the Open Office |
The
following is excerpts from a case study on acoustics. The sources of
this file include the following: Mooreland, J.B., “Speech Privacy
Evaluations in Open Plan Offices using the Articulation Index,” Noise
Control Engineering Journal (July/August 1989). ASTM Committee E-33 on
Environmental Acoustics Del Gaudio, ed., Planning and Design the Office
Environment. Harris, David A., “Acoustic Ergonomics: A Challenge for the
90’s,” Facility Management Journal (May/June 1991).
Controlling open-plan acoustics is difficult; sorting it out requires
starting with the problem—or rather the problems. Regardless of the
particulars, the experts have determined that controlling open-plan
acoustics always comes back to controlling the same three acoustical
problems: sound level, speech intelligibility, and sound paths. Because
sound paths act like light waves—i.e., they spread out spherically, in
many directions, on all planes at once—the most workstation panels can
ever do is act something like a lampshade. No matter how large a portion
of sound wave a systems panel can corral, there will always be portions
left free to leap over, creep under, bend around or seep through those
panels—continuing on their way in search of someone to disturb. While
hang-on components like flipper door units can increase the acoustical
shape of panels, they also cut down on the sound absorbency of those
panels. Clearly, panels with no hang on components have a lot more
surface area available to absorb sound waves than do those that carry
flipper door units, work surfaces, work organizers, tack boards, and
filing drawers or cabinets. As workstations become more compact, these
hang on components now create a larger proportion of a shrinking amount
of panel surface, undercutting the absorption capabilities of the panel
that carry them. (Worksurfaces in particular are positioned between the
speakers face and the lower portion of the panel. They render those
lower portions totally ineffective as acoustical elements). It is even
more difficult to control acoustics than this example demonstrates.
That’s
because open-plan spaces can vary so much in architectural and design
elements—among them room dimensions; ceiling height and structure;
placement and structure of lighting fixtures; floor and wall coverings;
and number, size and placement of windows and doors. Most of these
elements are usually set by the time anyone starts thinking about
acoustics. Changing that mix changes what’s ultimately feasible in terms
of good speech privacy. The acoustical experts have learned how little
acoustical difference panels make if the other required elements are not
present. They also recognize that panels are not the most important
factor: Ceiling height, ceiling absorbency, and the sound-masking system
are all more critical to speech privacy than are panels. In addition,
and perhaps the most important, the panel height, the distance between
speaker and listener, the sound-masking system, and the panel’s sound
blocking ability are all more important to speech privacy than is panel
absorbency. **For a complete copy of this article, please contact Ben
Maxwell (800)434-7400
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